We Know We’re Difficult… With Harry Weller

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We Know We’re Difficult… With Harry Weller

Words by Finlay Renwick | Styling by Benedict Browne | Film by Michael McCool

Nine hours ago

“It’s funny,” Weller says. “Last Christmas, I actually bought Tracey something from MR PORTER. A cashmere coat from Acne Studios that happened to be in her size. It tends to be Acne with her. There was also a jumper from them that she loved.”

“I’m at that stage where I want everything in my life to serve a purpose and be useful”

Weller remembers first seeing Emin’s “My Bed” as a 13-year-old, an experience that he credits with steering him towards a life and career in art. “I remember my brother and sister were running around going, ‘What is that?’ ‘What’s that about?’ But I was really drawn to it. I don’t know why, but I had an immense and an immediate reaction to something. I don’t know what it was. But I think that work of art is a self-portrait.”

Being something of a minimalist, he struggles when it comes to being on the receiving end of a gift. “Everything in my house is white, minimal. I’ve got so much going on in my own mind that I like to live in a clean space.” Although he does have a sentimental attachment to a pair of cufflinks that were a gift from his father.

“I don’t often dress up,” he says. “Only for events. I like to be casual, with a bit of smart. But whenever I do dress up, those cufflinks hold a special meaning.”

So, this year, what’s on Weller’s Wish List for the big day? “Just a bit of peace and time off. We’re building up to the most important exhibition of Tracey’s life. A major show at the Tate Modern. So, I think a gift from others would be not to harass me over the holidays.”