Speaking to MR PORTER in December, Bellizzi explained the level of research involved in the costumes for Chalamet and friends in the 1950s-set film, including watching the filmmaker Ken Jacobs’ contemporaneous movies of the Lower East Side. Marty’s tailoring had its own deep dive. “I got really involved in the details of what makes a suit from 1949 different from a suit tailored in 1954,” Bellizzi said.

“It’s hard to deny the power of his 1940s-style suiting in the film,” says Henry Wong, culture editor at Esquire. “Here’s someone trying to prove something to the world – and to himself.”

If that’s how the clothing relates to the character, the shirt collars are a key takeaway once the titles roll. Known as spearpoint in the trade, the razor-sharp silhouette translates beyond Marty’s frenetic life. Spearpoint-adjacent collars can be found at brands such as Brunello Cucinelli, Gucci and NN07. Note: your ping-pong skills will not instantly improve by wearing these shirts.

Arguably, Michael B Jordan doubly deserves that Best Actor nomination – he plays twins in Sinners, Smoke and Stack. If, at first, it’s tricky to work out who is who, Smoke – the less flashy of the twins – wins out, especially as he does not become a vampire.

Speaking to Harper’s Bazaar last year, Carter said that the character was the “less conscious [of the two]. He doesn’t have a tie, he represents the everyman”. And what is more everyman than the classic singlet vest? This simple item shows Smoke on a mission for mankind. It is also, as Wong says, “pure action movie”, alluding to heroes in Die Hard and Rambo.

Smoke wears his blood-splattered, but the vest (or tank top depending on your style semantics) has a place in what are perhaps less blockbuster-worthy lives – think those who might commit to fewer arm days in an average week. Peter Bevan, contributing editor at The Rakish Gent, recommends “using it as a layering tool instead of being the main event. I like to layer mine under a shirt or a blazer.” Look to slightly more forgiving cuts from the likes of Les Tien and AGOLDE and lean into that layering.

The dressing gown has a surprisingly auspicious history in cinema, from Cary Grant in 1938’s Bringing Up Baby to Jeff Bridges in The Big Lebowski 60 years later. But there’s now another contender, Leonardo DiCaprio’s depressed, weed-smoking radical in One Battle After Another. Described by costume designer Colleen Atwood as a “JCPenney-type robe”, the plaid design is pitch-perfect for a guy who has slightly given up on life.

If you’re not on a mission to save a teenage daughter from a murderous männerbund, dressing gowns are more usually seen as an item to relax in. But Stephen Doig, men’s style editor at The Telegraph, thinks there’s more to them than that.

“I wouldn’t say that Leo’s raggedy dressing gown should really act as inspiration for the average guy, but I do think that dressing gowns in some circumstances can look great for evening wear,” Doig says. “A silk dressing gown with tuxedo trousers and a tuxedo-fronted shirt and bow tie is rather rakish.” Charvet’s silk-tweed robes are certainly worth showing off.

(An honourable mention here must go to Benicio Del Toro’s track top, karate trousers and cowboy boots – another outfit surely to inspire Halloween costumes come October.)