There are few modern film directors whose vision is so singular that you could boil it down not just to a mood board, but to a colour palette and even a typeface (Futura). Veterans such as Steven Spielberg, Martin Scorsese and Spike Lee have their signatures and are associated with particular themes or genres, but each has switched codes and has outliers within their oeuvre. With Wes Anderson, though, you could pull out any frame from any of his films (post-Rushmore) and you would know that it was his work.